Before dawn she is awake.
The traffic begins. A bedside picture
stands at an edge of the emerging light.
Besides the black dress she wears
scattered clothes create awkward shadows
that move with the curtains in the air.
She closes the last clasp and breathes the air
from her open window, and starts to awaken
all the time that rests in her long shadow.
She releases the blinds and sees a picture
of a clear July and clothes others wear—
bright and loose, overwhelming, light.
She stands and turns off the failing light
of her room, realizing how much air
is lost in the dress she chose to wear.
It is uncomfortable to be fully awake
and aware of that burnished picture
that seems to watch, overshadowed.
Morning slowly passes on its shadows
and the window filters in more sunlight
to flood the dress. She begins to picture
what is beautiful from the clouded air
of memories, which often kept her awake
and watching the photo’s subtle wear.
The portrait recedes, and she decides to wear
another dress. In her closet’s shadow
a line of old dresses are awakened—
some bathed in a faint, aging twilight
and some choking in stale, perfumed air.
Above on a shelf are letters and a picture
of the shore. Unlike the pictures
of her childhood the expression she wears
beside him recollects the dampened air
of drowning, long floating shadows
of someone’s hands, and wavering sunlight
of a dream in which she longs to awaken.
She resurfaces through the window, a picture
of calm. The summer dress she chose to wear
is worn and loose, and sways in the air.